Monday, September 10, 2007

Dreams as Personal Myths


"I Am Everyone" Dream Journal page (2003)

 While facilitating my Dream Art Group, I have been spending a lot of time thinking about Spirit as it works in our dream lives and in the act of art-making as a catalyst. Making art can be a way to bring the world of dreams and the world of the waking life together for deeper understanding and transformation in our lives.

Dreams provide us with our own personal myths, and in mythology, fact and fiction form a finely woven fabric of story. A myth is neither only fact nor only fiction. Dreams also belong in this middle realm, as they fall between imaginal and consensual reality.

When we encounter the fantasy elements within our dreams, often we dismiss such dreams as unhelpful. Yet we are just as quick to dismiss “unimaginative” dreams because they have no fantasy elements. Both positions are extreme and exclude the middle realm. Even the most ordinary dream can open a wide window onto a field of workable symbols and images.

When we enter a dream and work its images through an art-making process, we are embodying the dream in a whole new way. It is very similar to Fritz Perls’ Gestalt work with dream images and symbols:
"Instead of telling the dream as if it were a story in the past, act it out in the present, so that it becomes a part of yourself, so that you are really involved. … If you understand the meaning of … some bit of a dream, each time you translate an ‘it’ into an ‘I’, you increase in vitality and in your potential.”  (Fritz Perls, Ego, Hunger & Aggression 1969, pp. 68-70)
When we take a dream image and bring it into ourselves, letting it guide our hands and shift our perception, a new direction is given and a new path is discovered. When we pick up a crayon or a paintbrush and begin to experience the feeling of the dream as we work, our own “personal mythology” begins to show itself.

"I Am That Too" Dream Journal page (2003)

The personal symbols appearing in our dreams are specific only to us. Just as no one can tell us what our dream means, so no one can tell us what the images and symbols in our dreams and our art mean. To one person, a snake can symbolize female power, while to another it can represent the feeling of being fake or sneaky. Thus working with powerful dream symbols in art-making is a direct way to discover our own mythology, and through doing this, we understand ourselves in a much deeper way.

Shortly before his death, Joseph Campbell spoke of the bliss of the mythologically-inspired life—where mythology is lived as layer upon layer of fluid metaphor, leading the self to the exalted state of being transparent to the transcendent.

It is important to remember that this process is not about illustrating, although there are many wonderful artists who do this kind of work. Making Dream Art is more about connecting to the energy of the dream. Through this process, the symbols present themselves.

When getting started in making Dream Art, two mediums are very easy and accessible. One is keeping a dream journal; the other is making collages. Both are easy to do (they do not require any technical training or special materials) and can be done relatively quickly. Combining the two is especially powerful!

"Guide to Lost Souls"
Collage Soul Card

In addition to being a wonderful way to track all the dreams we have, keeping a dream journal is a great tool to refer to when making dream art. Upon waking, I write the dream down in a narrative form, using the present tense so I don’t miss any details. Then, when I am ready to be more involved and delve into the deeper space of making art, I have my dream journal at the ready, full of stories and ideas. When I begin creating, I try to let go of any intention to “duplicate” anything in the dream. Sometimes when I have finished writing down the dream, I daydream while doodling on the same page. I am always amazed at how beautiful these images can look!

When collaging with a dream, a great place to start is to sit down with a pile of magazines (make sure you have a variety, not just fashion magazines or just science magazines) and other good sources for images, like catalogs and old textbooks. Look through them and tear out anything that strikes you—good or bad. (When I have a nice big pile, I like to make categories like “Monsters”, “Animals”, “Women”, “Fire,” etc.) Then sit down with the dream and identify what stands out for you emotionally. Was it a scary dream? Did it feel spiritual and calming? Enter that emotional space as completely as you can, then take some heavy paper (like card stock or poster board) and start laying out images. It is amazing what can show up in this process!

Inspired by Seena B. Frost’s SoulCollage cards, I worked with my dreams to create my own deck of personal mythology cards.

All of these cards echo dreams that I have remembered. Through the process of working these dreams through art, I have had amazing insights about myself, my patterns, and my deep beliefs.

I hope you are inspired to make some art with your dreams! I’d love to
hear and share in your experience. Feel free to e-mail me at tristy@createwithspirit.com.
Resource Books
  1. The Creative Journal: The Art of Finding Yourself, by Lucia Capacchione, Ph.D. (New Page Books, 2002)
  2. Soul Collage: An Intuitive Collage Process for Individuals & Grownups, by Seena B. Frost (Hanford Mead Publishers, 2001)
  3. The Art of Dreaming: A Creativity Toolbox for Dreamers, by Jill Mellick (Conari Press, 2001)
  4. Dreaming with Open Eyes: The Shamanic Spirit in 20th Century Art & Culture, by Michael Tucker (Aquarian & Harper Press, 1992)

Saturday, September 1, 2007

Crafting Companions

In the Dream Art Group I am facilitating, we do an Art Check-In every week.  One of my intentions with this is to integrate art-making into our daily lives.  In the past, I have facilitated workshops where the art is made during the group time, and while that is also a very powerful experience, I found myself disappointed when I noticed that the art-making wasn't happening after the group had completed.

Now, don't get me wrong, I love making things...but having an art assignment every single week is pretty intense!  I'm really getting pushed in new ways.  Here are some really powerful things I have realized:
  • Making art can and should be as important as going the gym, feeding myself and kissing my husband.

  • When I make time for art every week, it becomes a lot easier to drop down into that creative space - and the results are that I feel more grounded in all aspects of my life.

  • My dreams LOVE it when I make art in response to them.  My dreams have become richer and more powerful.

  • We've only been meeting for 5 weeks and I am already amazed at all the new art in my house that I have made!

The last couple of weeks I have been making these little goddess dolls. The first week, I made them out of cloth. I used some old fabric I had lying around and I filled them with rice and lavender, as I HATE the toxic batting that craft stores sell to fill dolls with.  I also embroidered them and added little crystals on some of the chakra points.  I don't know why I made these dolls - I was just following my creative intuition, which is what I do every day, in some way.

The next week, I decided I wanted to continue with this goddess figures, but I wanted them to be more sturdy.  The cloth dolls felt too floppy.  For some reason, I wanted something I could hold firmly in my hand. 

The next little goddesses I made were created out of Sculpey. I love Sculpey. I grew up with my father making Fimo creatures.  I remember him making lots of little characters for his Dungeons & Dragons game and I also remember a face of Jesus hanging on the front door of our house with a cartoon bubble over his head (also made of Fimo!) that said "Love Your Enemies!"  I remember him sitting with his X-Acto knife, cutting out tiny black letters to put on that white background.  It was meticulous! The Jesus face also had tiny drops of blood and a tiny crown of thorns.  Now that I have worked with a similar medium, I am astonished at the amount of detail he crafted with those characters!

"Fertile Triangle" Sculpy & glitter (2008)

The other issue with having a week to make a piece of art, is that I often don't have time to be that meticulous.  I usually only have one afternoon to really get into making (I have 3 jobs!), and I usually want to get my general concept completed, with the intention to get more detailed later.  That time to get more detailed doesn't seem to ever come (I guess with all things that are important to me, I have to MAKE that time!). 

So this past week, I used Sculpey (I prefer it to Fimo, it's easier for me to use - it stays softer longer) and I made some solid, little goddess characters.  The first one I made seemed to have a long tail like a sperm.  Why am I making little Goddess Sperms?  The next one was a flat triangle shape and the third one was a little round lump with tiny breasts.  The third one is very satisfying to hold.

At this point, I finally realized why I might be making these funny little creatures.  I recently had a terrible experience while pregnant.  My husband and I have been taking a break while I heal,
both physically and emotionally, and we finally feel ready to start trying again in earnest - this week in fact! I still have a lot of fear around what could happen this time, and I realized that I was tapping into a very ancient place in myself and making little fertility/pregnancy totems.

"Fertility Altar"
Archaeologists have been finding little Goddess figures for many years.  Their original purposes will never really be known, but when I have looked at them in museums and books, they have a very voluptuous, fertile feeling to me (like the Venus of Willendorf).  Many of the replicas are very satisfying to hold. I realized that I am making my own versions of these little figures.  Perhaps to help us get pregnant? Perhaps to be angels and guides watching over us so we don't have another painful loss of a pregnancy? Perhaps to hold on to when I am giving birth?  I don't really know, but they make me very happy.

I have put them next to our bed, so they can watch over us.

I think I am going to make more this week.  We shall see what new goddesses I create.  I found some stone-colored Sculpey and some excellent new face molds!

What are you making this week?