Tuesday, February 19, 2008

Moon Time

Nancy Passmore's Lunar Calendar

I've been thinking a lot about the Moon lately.  Perhaps because of the upcoming Total Lunar Eclipse happening tomorrow (during the full moon no less!). Perhaps because my husband and I are very focused on getting pregnant and I am tracking my moon (menstruation) cycle very carefully.

I've always been fascinated by how we as women sync up with the cycles of the moon.  I just ordered Nancy Passmore's Lunar Calendar. I love how this calendar honors the spiral movement of the days (not the square graph of regular calendars). I plan to record my moon time on the calendar and see if there are any patterns with the moon and its cycles.

And all this talk of menstruation(!) reminds me of my friend and fellow John F. Kennedy University Arts & Consciousness graduate Leah Libow's wonderful blog: hyster-y. She has some really fascinating entries of late, discussing her most recent solo exhibition which explored "the Feminine psyche rediscovering itself through reconnection to the womb."


"Lilith 1: Blood Ritual" by Leah Libow (2007)
In reading her blog entries, I especially enjoyed her description of trying to define art to a patron. It's so wonderful, I am going to reprint here (but read the whole thing here):
On the last day of my exhibition I was standing around the corner from the entrance of the gallery where my full frontal with menstrual blood was hanging. I overheard a woman (who was standing in front of this photo) say "You call that art?!" in a very sarcastic tone. As she rounded the corner, I faced her and said "Yes, I'm the artist." She asked which artist, and I told her "the one exhibiting in the hallway." "You mean the one showing photos of women having their period?!" "YES."

I'll refrain from boring you with the rest of the dialogue. Mostly it was me trying to pick up the pieces of my ego and defend my work. I did not do a good job of it because I was coming from a place of fear, anger and defensiveness instead of power and strength.  And I soon realized that I was speaking to an audience (she was its representative) whose opinion of art most likely included the impressionists and perhaps a few abstract painters as well, but did not include the 70's feminist artists or any conceptual or performance art. And then, after I took a few breaths and calmed down, I recalled that I had taken an entire course in graduate school which focused on the question "What is Art?"... and that even a bunch of art school grad students had trouble answering that one.
I appreciate Leah's truthfulness and transparency in her life as an artist.  Such an inspiration! I highly recommend hopping over and checking out her fabulous scene.

Monday, February 11, 2008

Creating Sacred Space

Why do we need sacred space? It’s simple. We need a way (a place, a process) to gently and easily reconnect with the spiritual core of being human, to be touched "where we live" on a regular basis by that divine bit of fire." ~ Kathryn L. Robyn, in Spiritual Housecleaning
One of my altars

Being an independent minister with no "home church" to call my own, I have to get creative with making spaces to serve and practice my ministry of creativity, dreamwork and healing. When I left San Francisco, I reluctantly gave up my very cheap and beautiful shared office space. I needed somewhere to see clients and hold my dream groups, so I decided to use my new home as an office to see clients in.

I was worried about doing this for many reasons. I wanted my space to be private, and opening up my home to lots of different people seemed invasive and overwhelming. And what about the cleaning?! I’m not a dirty person, but I’ve been known to let dishes sit for a couple of days, and sometimes I’m not so quick on the disposal of old cat litter.

On the day when my first client was scheduled to come to the house, my husband and I woke up early and begin the daunting task of making our home “spotless.” I was so afraid I would overlook something and my visitors would walk in, see that missed tumbleweed of cat hair on the floor, and walk right out, horrified.

As the process of cleaning our home began, I was completely shocked to discover that I was actually enjoying myself. Thankfully, I have a wonderful partner who was completely on board with the idea of making our home beautiful and clean to welcome in my new clients.

I realized in this process that my husband and I were creating sacred space — the same way volunteers come to their church to oil the old wooden pews, and the same way a Buddhist monk cleans the floor of the temple or shrine. Who says my home is not a sacred space also? It is a sanctuary and place of healing, both for my husband and me, and for my clients.

As I got down into the nooks and crannies of my home, I discovered piles of dust and cat hair I didn’t know were there. Instead of being disgusted or upset by this, I felt grateful that I had discovered this “undiscovered” place in my home, and could now clean this neglected space and make it fresh and new again.

Front porch altar for Valentine's Day

This process of “deep cleaning” reminds me so much of my own spiritual practice, as I walk my path of healing and transformation. I have committed to going deeper and to understanding my shadow places, so that I can see what is “dirtying” up my energy body and find a way to clean it out and transform it into something different and more nurturing.

This thorough housecleaning has now become a ritual for us, as I see clients at least once a week in my home. It’s also a meditative time for me, where I think about my past week and my ministry and what I would like to do in this life. With this work, I am tending to my temple.

In the beginning I had some concern that I wouldn’t get my home back after meeting with clients, but this has not turned out to be the case. The act of cleaning and preparing for them shifts the energy of the house — I move the chairs around and create a new space that is just for when clients come visit, or I put the chairs in a circle for group work. First I create a sacred container; then when the session or group is over, I put the furniture back the way it was, burn a little sage, and I have my home space back.

I also create altars specifically for client sessions. Often I use a statue of the Buddha (being an Interfaith Minister, I feel comfortable with a variety of icons from various faith traditions) who holds a small candle in his lap. Sometimes I have fresh flowers. Sometimes I have crystals that my husband has blessed in his healing work.

I often use flowers from my garden
& old photos in my altars
I create special altars for the groups I facilitate as well. These often include little “gifts” or offerings I have prepared, or a book I would like to read from. I always include my “circle of friends” candleholder, which honors the way we have all come together to support each other. The candle at the center honors the role that Spirit plays in our gathering.

I also have the honor of performing wedding ceremonies; when I meet with couples to prepare and do pre-wedding consultations, I make an altar as well.

This includes two statues that were given to my husband and I when we were preparing for our own wedding. Sometimes I wrap the two statues together with the beaded stole I crafted for my ordination. I always try to include a ripe fruit or vegetable, to honor the growth and nourishment of being in a love partnership.

In the process of cleaning and preparing my sacred space, the whole house also becomes like an altar. I try to pay attention to each object and honor all the objects in my house. Those who have been in my home know that I have A LOT of things! I have many sacred objects, from many different faith traditions. I frequently re-arrange objects and make new altars and spaces. That includes the little statues in the bathroom and on top of the television. It keeps my home alive and the energy moving instead of getting stuck and stagnant. Making and re-making altars is a powerful way to create sacred space. I think Eleanor Coppola, wife of Francis and mother of Sophia, explains the process well in the wonderful book Altars & Icons:
...there’s also something very soothing in just placing objects, shifting their position, or refolding the fabric, making the square a little smaller or a little larger. It satisfies some artistic part of myself.
Re-connecting with our altars helps keep our home/office/space alive and fluid. It is a way to honor visions and ideas in a tangible form.

Altars don’t just have to be for meditation. Janet Carter, from the same book:
Even when I’m not sitting in front of it, my altar is working because these particular objects are activated by my intent. It’s up to me to remember that the altar is here, to sit with it and take it in, not with my mind but with my heart and body. The altar brings these three together.
Seeing my home through my clients’ eyes is a powerful experience. Many of them see it as an oasis. I live on four acres in a home with high ceilings and large windows. Yet I sometimes get stuck in the mundane realities of my home, taking it for granted and overlooking its beauty. My clients remind me every week that I live in a beautiful place that they experience as a healing oasis, a place where they can take a break and step back into the deep waters of their spiritual life.

Yes, there have been times when the dishes didn’t get done before a client arrived. And you know what... they didn’t even notice. Or if they did, it didn’t take away from the work we did together that day.

Tending to my space and keeping it clean and beautiful helps me stay in touch with the greater Spirit. Sacred space can be created anywhere! I often carry “altar kits” in my car, in case I am called to minister to someone out in the world. A simple blanket, a small statue, some wildflowers picked by the side of the road, can come together to make a beautiful space for healing and transformation.

How do you make sacred space?

Books mentioned in this post:

The Art of Personal Imagery

My Mom often passes along wonderful books to me and she has recently gave me the wonderful book, The Art of Personal Imagery: Expressing Your Life Through Collage by Corey Moortgat. It falls into the scrap-booking/collage/how-to books that has taken the craft world by storm. I have read many books in this category and I must say that Moortgat's approach is something special.


The kind of collage Corey features in her book uses a lot of vintage photographs, scrap-booking paper, and other found ephemera. It falls into a genre that is gaining immense popularity in the craft world (see Somerset Memories magazine) and unfortunately, all that kind of art work looks the same to me, so when I first glanced at the cover of this book, I thought, "Okay, more of the same...it's a nice look, but what's new about it?" 

I am happy to say that when I opened up the book and started reading I was pleasantly surprised. This is far more than a basic how-to book, that encourages people to create something that looks exactly like everyone else's project. Corey shares her personal journey though art-making and because of that, it is unique and authentic and beautiful. Along with the very clear and informative how-to aspect of the book, she also tells the story of her life, and the two are beautifully woven together - in a way that I have never seen in a how-to book. She also breaks free of the "vintage photo ghetto" as I often call it, and starts using photos from her own life. And the pieces are just as beautiful and powerful as the other kinds of collage we are used to seeing.

In fact, every piece showcased in the book is a journal entry. Many of the pieces have personal writing in them and the art and the personal journey are woven beautifully together. She shares her struggle to get pregnant, and along with that story, we see the pieces she made during that time. I resonate particularly with this personal story as I too have been having my own roller coaster journey around getting pregnant.

Here is a quote from the book:
But after months without conception, the artwork took on a different tone. In Detained, phrases like "no baby this month" and "detained by waiting for something" show my state of mind. And An Inordinate Desire states, "Seems like every one of these I do starts the same way - another month with no luck," and shows a solemn girl pushing a baby carriage. Although these months weren't joyous ones, they were important and real parts of our story. These honest chronicles of our struggles make the pieces reflecting our eventual success that much more meaningful.
She does eventually get pregnant and then pregnant again!  It is very powerful to watch the art work change and transform as she now deals with the new roller coaster journey of pregnancy and motherhood - always creating truthful and authentic pieces that reflect her inner experience.

This book truly is a delight and an inspiration and I have noticed my art work changing already as I try out new techniques and ideas from the book.

I think it is a must-read for any collage artist interested in life as a transformative journey.

To get an immediate taste of Corey Moortgat's work, check out her wonderful flickr page and blog.

Saturday, February 2, 2008

Rules for Life

Sister Corita Kent
Just came across this wonderful post about the 10 Rules posted at the Immaculate Heart College Art Department compiled by students of Sister Corita Kent. These "rules" resonate with me for life in general, as well as making art:

Rule # 1: Find a place you trust and then try trusting it for awhile.

Rule # 2: General duties of a student - pull everything out of your teacher and pull everything out of your fellow students.

Rule # 3: General duties of a teacher - pull everything out of your students.

Rule # 4: Consider everything an experiment.

Rule # 5: Be self-disciplined. This means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

Rule # 6: Nothing is a mistake. There is no win and no fail. There is only make.

Rule # 7: The only rule is work. If you work, it will lead to something. It's the people who do all of the work all the time who eventually catch on to things.

Rule # 8: Don't try to create and analyse at the same time. They are different processes.

Rule # 9: Be happy whenever you can manage it. Enjoy yourself. It's lighter than you think.

Rule # 10: "We're breaking all of the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities." - John Cage

Original "10 Rules" from Immaculate Heart College

I really enjoyed thinking about these "rules" for my own life.  I especially resonate with #6, as one of my dark shadows is being a perfectionist that judges everything I do too quickly. Art as life as art is always about making, not really about "success" or "failure" because we always learn something new and go from there.  It is a life of transformation and evolution that is really worth living. Just keep making.

This also reminds me of a really sweet trend going around the dreamwork world, where we have been making new year's resolutions inspired straight from remembered dreams. They be a bit confusing, because they are using dream logic, but I think you get the gist of it!

TRISTY'S NEW YEAR'S RESOLUTIONS FOR 2008
  1. Take the time to see what is really in the garbage can - it might not be trash but treasure!
  2. Stay pregnant with possibilities.
  3. Ask for more space when people are crowding me.
What are your "rules" for life?